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Xiu XiuLa ForetContributor: Eli EllsworthSan Jose, California-based renowned post-punk indie rock experimentalist outfit, Xiu Xiu, revisits self-deprecating melancholy, irregular time structures and dramatically twisted tonality on their fourth full-length release, La Foret. Decoded and defined from the French term meaning “the forest,” La Foret entails multiple connotations and sound structures. Xiu Xiu are more than equipped to supply emphatically harsh noise on this record. Jamie Stewart’s impassioned squalls alone cultivate a nervous cacophony outside the already-daunting scratchy sibilance, though such moments are ingeniously juxtaposed with delicate percussive melodies and subtle whispers. Additionally, Xiu Xiu exhibit a specialized developmental musical process that, in measured doses, is quite accessible. While notably impressive in its own right, prolonged exposure to this structure encroaches on redundancy and reveals distinct limitations. Despairingly tortured, intently carnal and deeply introspective lyrics are monumentally gripping when combined with dramatic vibraphone tones, weeping Casio guitar, rapidfire harmonium, druggy synths, clanging gong crashes, bass clarinet, tuba, autoharp, soothing acoustics, blurred industrial clashes and shrieking distortion. Unfortunately, Xiu Xiu is a bit confined to this formulaic expression throughout La Foret, which becomes a bit tedious by the album’s end. Nevertheless, I think you’ll find this release as enjoyable as their prior endeavors on Fag Patrol or even Fabulous Muscles. Despite any shortcomings, Xiu Xiu certainly isn’t out to imitate any particular sound or influence on La Foret, opting instead for a creative approach that is uniquely their own. That is something I absolutely respect. You can contact the author at: eli@agouti.com 811 |
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